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Thalita is an elegant and luxurious calligraphy font. It looks beautiful on a variety of designs requiring a personalized style, such as wedding invitations, thank you cards, weddings, greeting cards, logos and so on. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!
Lendriyan fonts, calligraphy and handwriten fonts. This font is very beautiful and charming with curves. With its uniqueness, this font can be used as a logo, title, script, leaflet, landing pages and others. You just like this font, thank you
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Ayrton Pight is a calligraphic font that comes with beautiful characters, a type of modern hand-rubbed calligraphy script, designed with high detail to bring stylish elegance. Ayrton Pight is attractive as a type of font that is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy font connections.
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Gonero is a sans font belonging to 81 font families, created in a very bold style. Gonero is a type font, comes in 81 upright weights.
Gonero works well in all brands, logos, magazines, movies. The different weights give you a wide host of applications, while the outlined fonts give a real modern feel to any project.
Multilingual support for multiple languages including: French, German, Spanish, Portuguese, Italian, Dutch, Finnish, Swedish and many more.
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Fruity Cake is a sweet and friendly handwritten font. Its natural and unique style makes it incredibly fitting to a large pool of designs. The only limit is your imagination!
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I made this cartoon book font in my own handwriting. This type of font is great for writing comic stories, children's games, and is perfect for making cartoon movies.
Roselina Script is a modern calligraphy, with a vintage feel. moving baseline and elegant touch. Can be used for various purposes.such as headings, signature, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges etc. Including initial and terminal letters, alternates, ligatures and multiple language support.
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